Garth Brooks is back. I never knew he went away. But apparently he’s out of retirement and back in the news. He’s complaining that the government is not doing anything to crack down on file sharing, which is allegedly killing the music industry, even though it’s not. (See also here, and here, and here.)

To the government he complains,

You’ve ignored us, because there’s 50,000 of us and 300 million voters. You’ve ignored us.

Think about that. Brooks is admitting that the use of file sharing is widespread. He acknowledges that everyone is doing it. But yet he wants the government to crack down on every single person in the US so that he can earn a few million more a year.

That’s some fricken balls! I almost feel like I should give him some credit for being so completely self-centered. It’s one thing to complain, “My family is starving so I need government help to feed my kids.” It’s another thing to complain, “Why won’t the government help me so I can buy my fourth fricken mansion?!”

Apparently Garth doesn’t know this, but it’s common knowledge to the rest of the world that it’s already against the law to use P2P to infringe copyrights. The punishment for such use goes way beyond any physical crime. If I go to Walmart, stick a gun in someone’s face, and steal a CD, the most I’ll have to pay monetarily is for the price of that one CD, about 20 bucks. However, if I download a CD worth of music, I’d have to pay millions of dollars.

But yet that draconian law is not enough for Garthy. He wants more! Does he want incarceration? For all 300 million of us? Apparently so. Apparently, his “lost” money, which has nothing to do with P2P, is worth more than the liberty of every citizen in the US.

But this isn’t the first time Brooks put his bank account above the rights of citizens. He also claims that selling used CDs is stealing. I’m not making this up. According to Brooks, the simple act of selling a used CD is a criminal act. Of course he’s wrong. But your right to sell your stuff is nothing compared to Brooks’ right to buy a mansion.

Of course the main reason he’s having trouble selling CDs is that his time in the spotlight is over. When rock and roll killed off the careers of the vocalists from the 50s, Sinatra, Mathis, Cole, to name a few, those guys didn’t ask the government to stop the switch to rock music. They graciously accepted their time was over and moved on. It’s time for washed up has-beens like Brooks to do the same.

Artists of today realize that the net is not a hindrance to making great music, but is actually a great tool for connecting with fans.

Joe Cocker, still crazy after all these years
At 8800 ft. altitude and squeezed into a box canyon surrounded by 13,000 ft peaks, The Telluride Blues and Brews Festival is an annual tradition in the Four Corners area of the US. Over the years the modest stage has seen the likes of BB King, James Brown, The Allman Brothers, Taj Mahal, and Bonnie Raitt, just to name a few. At night the bands move into small local venues where you can experience some of the worlds best blues guitarists, just feet away. Last night for the second time in my life, I was treated to the spastic genius of the great Joe Cocker. Today is the free beer tasting where 53 different breweries and 150 beers will compete for the prize of Telluride’s finest. Blues and beers combined with the thin air at this height, and I think it’s going to be a good day.

Photos thanks to Susan Skewes

Have you seen the new antipiracy video from the software industry? It is execrable! Outdated, kinda offensive, and embarrassingly unhip, the clip has a zero percent chance of achieving its goal of deterring illegal downloads on campus. One young person I shared it with said the video made him want to go pirate something, anything, out of spite.

Don’t Copy That 2─a sequel to the campy 1992 educational video Don’t Copy That Floppy─is telling about the industry’s failure to reach students.

Keith Kupferschmid, the Software & Information Industry Association’s policy director, was magnanimous enough to answer my sputtering questions about some of the video’s inexplicable choices. Like: why rap, in 2009? (That’s like sending a disco star to lecture a ’90s classroom to get its “groove thang on” by respecting copyrights.) If you’re referencing a videogame, why choose Doom, which dates to 1993? Why Klingons, instead of teenage vampires or wizards?

“We just didn’t thinkabout the vampire thing, I suppose,” says Kupferschmid.

It’s possible to be so blinded by the creative failures of Don’t Copy That 2 that you don’t notice its failures on the merits.

More bands are getting on the anti-government intervention (ie, the ‘we kill your Interwebitube connection’ for file sharing) bandwagon.

---

Techdirt – Aug 25th 2009:

It’s the story of Roxanne Shante, one of the first female hip hop stars, who came out with a hit song in the 80s (when she was 14-years-old), leading the way for other female rappers. Of course, like so many other artists, she found out that the big record labels weren’t so great after all. After two albums, when she realized that her label was basically stealing from her, she called it quits from music. At age 19, however, she remembered that Warner Music has put a clause in her contract, promising to “fund her education for life.” She figures they put that in as a “throwaway, never believing a teen mom in public housing would attend college.” But, attend college, she did. She didn’t just get a bachelor’s degree, but went all the way through to a PhD. in psychology.

Of course, Warner Music, already having done plenty to try to cheat her out of her contract, worked hard not to pay. But the dean at, Marymount Manhattan College, where she attended for some of both her undergraduate and graduate degrees, read over the clause and simply kept sending bills to Warner Music. Warner (so nice of them, as per usual) ignored the invoices until Shante threatened to go public with the story of Warner Music Group not living up to their contract promises on something so basic as funding her education. In the end, Warner Music had to pay up around $217,000 for Shante’s education